on snipers and squid (1/3)
15/11/08 10:20So, yesterday ended up draining me a bit more than I expected - estate stuff in the morning and extended wrangling with technology in the afternoon - so I treated myself to a margarita with dinner (brisket-avocado-spinach quesadillas at the Alley Cat), which was tasty but also made me too sleepy to socialize afterwards, so I headed up to bed soon after we got home.
Since I'm currently obsessed with sussing out the springkink-fic is heading, I picked up Peter Brookesmith's Sniper: Training, Techniques and Weapons (St. Martin's, 2000) for a bit of reading, which turned out to be the perfect choice. You know that happy moment when a character comes into sharper focus at multiple levels -- that is, not just the version you're writing for a fic, but the one within the confines of canon? I went to sleep happy, because I've had several clicks of that kind during the course of drafting parts 1 and 2 of this fic (including one last week where I wrote a sentence, reread it, and only then realized, "Holy shit, so that's part of their dynamic too").
[The daft thing is that all of this excitement is extraneous to the actual story -- it's about how writing the story intensifies my pleasure in being a fan, and wholly irrelevant in terms of whether other people will find the fic sufficiently engaging or entertaining. On the down side, I feel more than a bit foolish expending this much time and mental energy on a fic that maybe seven people will read and two might actually like (the fandom is small). On the up side, it's exhilarating when a story insists on shoving me out of my ordinary groove and into a new-to-me landscape (which would be why you patient ones end up with all these teal deers about process galloping atcha).]
Anyhow, last night's unexpected revelations came when I was reading Brookesmith's discussions about how snipers are regarded by their fellow soldiers:
( the loneliness of the long-distance sharpshooter )
[continued in the next entry...]
Since I'm currently obsessed with sussing out the springkink-fic is heading, I picked up Peter Brookesmith's Sniper: Training, Techniques and Weapons (St. Martin's, 2000) for a bit of reading, which turned out to be the perfect choice. You know that happy moment when a character comes into sharper focus at multiple levels -- that is, not just the version you're writing for a fic, but the one within the confines of canon? I went to sleep happy, because I've had several clicks of that kind during the course of drafting parts 1 and 2 of this fic (including one last week where I wrote a sentence, reread it, and only then realized, "Holy shit, so that's part of their dynamic too").
[The daft thing is that all of this excitement is extraneous to the actual story -- it's about how writing the story intensifies my pleasure in being a fan, and wholly irrelevant in terms of whether other people will find the fic sufficiently engaging or entertaining. On the down side, I feel more than a bit foolish expending this much time and mental energy on a fic that maybe seven people will read and two might actually like (the fandom is small). On the up side, it's exhilarating when a story insists on shoving me out of my ordinary groove and into a new-to-me landscape (which would be why you patient ones end up with all these teal deers about process galloping atcha).]
Anyhow, last night's unexpected revelations came when I was reading Brookesmith's discussions about how snipers are regarded by their fellow soldiers:
( the loneliness of the long-distance sharpshooter )
[continued in the next entry...]
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