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  • Via marymary: Erin Noteboom's "Deep calls to deep at the noise of thy waterfalls". Wow.


  • Yaki manu (dumplings with sesame soy sauce) and chapjae (clear noodles with beef and veggies) at Manna.


  • This video of Francis Cabrel performing "Je sais que tu danses." I've owned the studio recording of this song for years, but there's an intensity to this rendition that really locks the song for me.


  • "Rockollection" -- why have I not known about this song before now? It is so much fun. I've been replaying the Enfoires 2001 version as I work (I can't get enough of David Hallyday's solo in "Tous les cris les SOS") and YouTube also has three other variations (Vanessa Paradis, Nouvelle Star, and Voulzy himself -- search on "Rockollection").


  • Bear's chatroom transcripts slay me. This one includes this jewel from [livejournal.com profile] katallen: "writers -- different because our subconsciouses can be bothered to hate us that much."


  • There was more I meant to mention, but I can't remember where in my conscious I stashed it. That, and a story needs revising, a sermon needs drafting, and an essay needs finishing. Onwards...
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    Ah, YouTube, you siren!

    http://www.youtube.com/watch?v=EhXsJjVdj1E
    Neil Patrick Harris and Jason Segel singing part of "The Confrontation" scene from Les Miserable while on a talk show. What makes this awesome is that even though it's performed as a joke, the two guys are so into it it is intense. *swoon*

    http://www.youtube.com/watch?v=Q6ndRLLGQJc
    UK concert version of "The Confrontation" with Chinese subtitles.

    http://www.youtube.com/watch?v=xm5QhtBMnBg
    US tour version of "The Confrontation"

    http://www.youtube.com/watch?v=4MbsyOC8u6g
    "Stars" in German. Christian Muller as Javert. (And because I'm a dork, I immediately thought, "Oooh, if I were playing a Regulus...")

    http://www.youtube.com/watch?v=RIkbcXWoUBA
    "Javert's Suicide" in German.

    http://www.youtube.com/watch?v=UPj6wl5bf6A
    Japanese anniversary concert version of "Do You Hear the People Sing?"
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  • Nifty All Things Considered interview of Anne-Sophie Mutter and Lambert Orkis on playing Mozart's sonatas. To hear them talk about each concert hall as "the third instrument" they have to take into account each night was well worth being stuck in interstate traffic.


  • Antonino the Carny Barker, which definitely suits me better than the bottle of "13" for which I traded it. The notes listed for it are white musk, wild plum, vetiver, black coconut, verbena, fig, and lavender, but to the BYM it smells mainly of sandalwood.


  • Peter Louis van Dijk's "Horizons" (a commission for the Kings Singers). The chamber choir I sing with will be performing it in January. We listened to it earlier tonight and by the end of the piece, half of us had our jaws on the floor and one woman was in tears.


  • Made it through rehearsal. (It's time to go see the internist, though. Dammit.)


  • The scent and flavor of orange peels.


  • Sarah Brightman's voice actually isn't bad when she isn't trying to sing over an orchestra at the top of her range, and I'd forgotten that Andrew Lloyd Webber wrote some damn fine tunes. (I had a yen to hear "Love Changes Everything." Hurrah for the library!)


  • The miniature blueberry pies at Sweet 16th. Perfect crust. Oh, my.
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    Was up too late and up too early (in relation to the too-lateness, that is), and there was a rejection for two poems in my in-box when I opened it. And I don’t have enough left in the mental tank to get any new submissions out the door before midnight.

    On the other hand, I’m not sick yet, my beta-reader remains awesome, and there are other good things as well:

  • Receiving my copy and payment for On Our Way to Battle. (Thanks, [livejournal.com profile] samhenderson!)


  • The Library of Congress online card catalog and Amazon's look-inside-the-book feature. Vetting citations has never been easier...


  • The NYT’s article on Robert Fagles and his new translation of the Aeneid, and also that I noticed it because it happened to be #2 on the most-emailed list.


  • Songs from the Labyrinth is still delighting me during my commute and coffee breaks. It’s been reminding me both that Dowland is a hell of a songwriter and that Sting has that x-factor that separates okay musicians from those who have the knack of knowing when and how to bite off a phrase just so or stretchhh it out a second longer (I’m captivated by how he sings the word "eyes" two different ways in "Clear or cloudy" -- a very small detail, but it makes the performance for me.)

    I don’t happen to possess that x-factor when it comes to music or calligraphy – I’m okay at them on my good days, but I’m never going to be great at either. And it’s not nearly present enough during most of my efforts at writing, either -- but I have been gifted with a measure of it there, and when it does kick in, oh is that a good feeling. When instinct and training and practice manage to intersect such that I know I’ve locked the right words into the right order to make the reader laugh or gasp or suck in their breath in recognition – in those moments, I am myself most alive.


  • The sooner I get through my current deadlines, the sooner I can get back to leaving saucers out for the prowling half-truths and stinging rhythms (pace Viereck). Onwards, then.
    bronze_ribbons: knife with bronze ribbons (gravity)

    There are tasks, inevitably, and here on this farm, at least, too many to be filled in one day. Some tasks are seemingly straightforward. Wash the kitchen floor. Shovel the barn floor. Others are less so. While washing the kitchen floor remind yourself to be more consistent in keeping shoes off in that room and better at mopping spills when they happen. When shoveling the barn concentrate on what being a shepherd really means. To find some joy in the appointed tasks is another requirement. For without joy, what is the point? That is a more difficult thing to do. And that is one of the things that define us to ourselves.


    Right, then. Lists...
    To do... )

    Slightly vexing things:
    * Gouged my heel on a nail
    * Car sounds worse than before its stint at the shop

    Splendid things:
    * Says You now airing Saturday afternoons.
    * Pomegranates on sale (*nods to [livejournal.com profile] qrssama)
    * Sting's new album of John Dowland songs and letter excerpts. I've been playing "Have You Seen the Bright Lily Grow" (by Robert Johnson -- the one non-Dowland piece on the CD) over and over - so, so pretty! Also, I normally loathe "Can She Excuse My Wrongs," but Sting's arrangement is interesting enough (and he has that lovely decadent tinge to his voice) that I won't automatically hit "skip" next time I run the whole playlist. And the liner notes/design is also well-done.
    * Earrings from [livejournal.com profile] orbitalmechanic. They're perfect. Thank you, my dear.
    * The painting [livejournal.com profile] almost_clara surprised me with yesterday. It's inspired by a series of drabbles I wrote related to "Dover Beach," and it's stunning.
    * Random notes and cards from friends.
    * Sun's out. It's going to be a brilliant day.
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    * In spite of miscellaneous mistakes, the chamber choir sounded good at this morning's services. (Enough that someone exclaimed "Wow!" right as our opening anthem ended. It feels wonderful to connect to a listener to that degree.)

    * Today was the first day of this year's Religious Education classes. The minister and RE director read a charge to the teachers (all volunteers) themed around Noah's ark that included the line, "Remember: the ark was built by amateurs, the Titanic by professionals."

    * Went fly-fishing yesterday at Newsom's Mill with four guys from church. The weather was perfect for wading around in the Harpeth River -- which was good, because the fishing was best where the water was up to my bra. It's not going to become a new hobby (too much driving and gear involved), but damn, casting is cool.

    * Dinner was shrimp boil, with homemade key lime pie for dessert.

    * Tired and frustrated and feeling like a turtle, but also hopeful and jazzed about there being so many things to make/do better.
    bronze_ribbons: knife with bronze ribbons (lifejacket doggie)
    I'd intended to spend the day on work, but a long-postponed non-profit chore poked its way to the top of the queue this morning. That, and not being able to stand the mess in my kitchen. *sigh* On the other hand, I'd wanted an excuse to stay home, and I've got Rameau playing in the background (Les Boreades. Weird, creepy, and beautiful).

    Other happy things:

  • Apple pie.


  • Yeah, it's over a month old, but I only now saw it and it cracked me up: Snapes on a Plane


  • I don't ship Lucius with anyone -- come to think of it, when he's mentioned in my fics, he's usually dead -- but this Jason Isaacs interview is wicked fun. (Via [livejournal.com profile] daily_snitch.) Interviewer: "Shared cell: Lucius Malfoy and Captain Hook. Who's the bitch?"


  • Also, from January, an article on Carol Ann Duffy:


    This week the judges at the TS Eliot poetry awards were unanimous in awarding Duffy the £10,000 prize. The decision, they said, marked "a rare moment of agreement between the critics and the booksellers as to what constitutes great poetry".

    In Duffy's case, however, this consensus is hardly new. Not since Philip Larkin has a living British poet straddled the commercial and critical arenas with such finesse. This has prompted several critics to seek common ground between the two authors, some thematic preoccupations to link the dyspeptic Hull librarian with his more expansive, approachable descendant. For her part, Duffy jokes that there is only one similarity. "We are both lesbian poets," she says.



  • ETA: What M'ris says, about context and sides of the coin and putting down what one picks up. Which is, not incidentally, why working on sermons is actually work. *knits brows, stares at stack of notes some more*

    ETA II: Ok, Les Boreades - Paris Opera production, 2003? Music: gorgeous. Choreography: too hyperactive for me, mostly, but it had its moments -- particularly the pas de deux during the hero's reviving of everyone around him, and Apollo's descent from the heavens. Have minor crush on Nicolas Rivenq now. Some incredibly clever staging -- am glad the director got the largest ovation.
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    Nuisances:
    * mosquito bites
    * sudden attack of badly missing my cat
    * 18 hours of work to blast through in the next 24
    * the ever-increasing heap of mending and ironing
    * singing and writing chops not where they need to be

    Joys:
    * Slew of ideas for new poems; improving a story
    * Funny, mega-huggable dog
    * Sight-singing Salomone Rossi's settings of Psalm 80 and Psalm 128
    * Good coffee
    * Dan Russell's cover of Mark Heard's "I Just Wanna Get Warm"
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    On the one hand, I just got back from dropping books off at the library. I keep asking the idiot in the mirror, "Haven't you learned anything over the past 15 years?" because this feeling like I'm reliving graduate school isn't healthy. There's a part of me that's well aware that I'm smarter and stronger than I ever was during my twenties, but I also keep having to fight off the feeling that I've barely made any progress at all.

    On the other hand, there's a certain pleasure in observing who else happens to be out and about at 2 a.m.: aside from the usual jaywalkers and junkies, there were also a couple of youngsters dancing and snogging their way down Second Avenue.

    Saw Vienna Teng in concert last week and met her afterwards. She's very pretty, very nice, and hella talented. At present, "Harbor" remains my favorite song of hers (downloadable from here), but "Shine" is what I've been replaying in the car and in my head the past couple of days:


    shine with all the untold
    hold the light given unto you
    find the love to unfold
    in this broken world we choose
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    Sources, the Unitarian Universalist cantata my church premiered last month, is now available via the audio page at Jason Shelton's website. It's a great piece, featuring different musical styles and themes. (FWIW, my favorite movements are the first and the fifth.)

    My friend Arnie Reed took pictures that morning, during the early service. I'm the front-row alto wearing a green stole.
    Music Sunday, June 2006 )
    bronze_ribbons: knife with bronze ribbons (babe in bath)
    Granted, she wouldn't have been icing the cake after the first guests arrived (ten minutes early), but she has servants. I don't. ;-) Not to mention dealing with fines the library'd charged in error (they'd mistakenly reshelved the book instead of checking it back in) and rush editing jobs and moving a desk up a flight of stairs by herself (weak arms but strong legs and shoulders) and changing shirts/jewelry at 5:30 p.m. for a 6 p.m. do...

    No matter -- the net result was a fine evening:

    The summary. )
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    "When you're doing it you're just trying to do the best you can," Mr. Preston said in 2001. "You don't know if you're doing something important, and whether it will make history has yet to be seen. Just the fact of being able to do it, and striving to do the best you can, was the accomplishment."


    - from Jon Pareles's obituary of Billy Preston in today's New York Times. Preston worked as both a solo and session keyboard player, including with the Beatles.

    On a related note, Nashville's Musicians Hall of Fame opens this Friday. I can't find Will Ayers's Rage writeup online, but what caught my attention in it is that the new Hall intends to lift up the work of session musicians as well as featured performers. This makes me seriously happy.


    The title of this post is from Steve Winwood's "Still in the Game"
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    Frustrations:

  • how much !@#%!@#@ work it's going to take to get my musical chops back

  • how much !@##%!@$ effort it's going to take to regain the muscle tone I had back in 2003

  • feeling edgy for no damn good reason in a van full of Mormon missionaries ( = fellow Country Music Marathon volunteers)

  • MacMail. Fee, fie, foe, fnarrrrrr.

  • still tangled up in the thickets of a project that was more complicated than it needed to be

  • still two more proposals to write

  • still a pile of not-yet-posted correspondence on top of my photocopier


  • Pleasures:

  • I'm not utterly musically inept. Did a good job blending during sextet practice.

  • Being able to gaze through the windows during rehearsal -- dark green trees against a periwinkle expanse. The color of the sky deepening into gradations of rich saturated blues, and then into the almost-black of night.

  • My beta-readers completely rock the house. *waves at [livejournal.com profile] aunty_marionand [livejournal.com profile] busaikko*

  • Being able to crochet through most of my shift at the marathon expo... and being reminded that it can look like magic to other people.

  • The cantata my church will be premiering on June 11, Sources, is going to be a classic. I don't get excited about everything Jason writes, but the lyricist (Rev. Dr. Kendyl Gibbons) is bringing out some of his best -- the first movement ("In the Beginning") and fifth ("No Other World") both rock my socks off.

  • English butter toffee.


  • Back to the easel now...
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  • Saw the birdhouses for this year's Birdhouse Thing (fundraiser for a local music school) on my way to the bookstore last night. This being Tennessee, there was a Johnny Cash house and one with "SEE ROCK CITY" emblazoned on the roof, but the one that delighted me most? Mary Mirabelli's "Hawkwarts" -- complete with oriental carpet and dragon-eggs in planters on either side of the fireplace. There's a photo at the site gallery (five up, three from the left) but it doesn't show off the detail. Alack.


  • Happened to be in Franklin when one of the church carillons started chiming out hymns. I recognized "Abide With Me," "Holy Holy Holy," "Joyful Joyful We Adore Thee," and "O God Our Help in Ages Past," and there were a couple more I didn't.


  • Sampling a sweet potato truffle at the Cocoa Tree.


  • Matchbox 20's cover of "Time After Time" (thanks, [livejournal.com profile] qe2!)


  • Vienna Teng's Harbor (downloadable from her website. Thanks to [livejournal.com profile] gramarye1971 and [livejournal.com profile] nsmom for introducing me to her work via "Eric's Song.")


  • John Hiatt and Freedy Johnston are damned good songwriters. (This is hardly news, of course, but I'd not tried to write out charts to their songs before now. Understanding the niftiness of a piece of music = excited mechaieh.)

  • Revenge of the Shoes, episode 3: the left sole of my red pumps fell completely off while I was sauntering around in Franklin. I might have been distraught if I'd paid more than $3 for them, but as things were, I just laughed my head off.


  • April income stream shaping up. Now to resume churning away at March's...
  • bronze_ribbons: knife with bronze ribbons (chrysanthemum curve)
    ... when someone announced, "Hey, the dervishes are here!"

    Another moment of moments: watching the late afternoon sun blaze through the top pane of a stained glass window as three women sang "Bright Morning Arisin'."
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    I am a grown-up. This means I realize I will sometimes be perceived as a bitch for doing a job properly.

    Doesn't stop me from sometimes working myself into a stupid extended snit about the unfairness of it, though.

    The good news is that there are few snits that can stand up to finding a new song to sing along to in the car -- in this case, Khaled's Aicha. Soulful French power-pop, mmm. (Yes, I now know it's also an Arabic rai classic, but that's not why it hooked me.)

    Also, the weather is again spring-like here, and I managed to produce a decent dinner last night (in spite of not realizing until I was halfway in that I was lacking several key ingredients, which resulted in the initial sauce mixture getting poured down the drain): curried leeks, roasted asparagus, apricot-glazed salmon, and couscous. And the BYM brought home a heart-shaped chocolate cake from our favorite bakery.

    Meeting now. More later...
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    Color me startled: my copy of Word doesn't recognize "universalism" (although it suggests "Universalism" when prompted), but it does have "Schwarzenegger." Oy.

    If my software makes little sense, however, my brain makes even less. I seem to be afflicted with both a bout of the stupids and a peculiar cloudburst of nostalgia, the latter triggered primarily by two pieces of music. The first is Richard Shindell's A Summer Wind, A Cotton Dress, which shot right up next to Dar Williams's "Iowa" and Peter Gabriel's "Secret World" the instant I played it on my car stereo, it being very much a song of someone who knows both of safety and burning, and there being a wild sweetness in the arrangement that has me playing it over and over again, sometimes singing along with the melody and sometimes piecing in bits of harmony, and missing moments that were never mine to miss...

    ...and the second is "Sweetly Sings the Donkey." I completely do not understand my reaction to this one. Yes, I sang it when I was a kid, and yes, it's a catchy tune, but it was never a favorite, and I don't have any specific memories attached to it, good or bad -- I can't even remember which grade it would have been -- so why did I melt into a puddle of goo upon seeing a songbook at the library today with that very title? All of a sudden I'm back to being nine years old, singing round after round with imaginary friends...

    *shakes head*

    And you? Which songs (or other sense-triggers) are distracting you these days?
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